Brisbane: The Musical

Here's a somewhat vague travelogue of my trip to Brisbane, and the three days during which I met Positronbob and Yahtzee. Click on the pictures for bigger ones. (Update, 2013: I've edited this a bit, largely because I feel I can write significantly better these days, and because some elements of the story are now either awkward or more embarrassing than I previously thought.) DAY ONE (Sunday)

Having determined where Positronbob was to be found, went and collected him. Drove to Kingston railway station, deposited car in car park. Took the train into the city, after bumming train fare from Positronbob. Can't remember if I ever paid him back. Probably should do something about that. Karma's a bitch, and all. Spent most of the duration of the train trip discussing online activities on the Home of the Underdogs Forum, a discussion arena attached to the old Home of the Underdogs abandonware website, which kind of disappeared from existance, but kind of reappeared in 2012, but it's so far removed from what it used to be that it doesn't bear thinking about.

Arrived in the city to discover that at some point between Kingston and Brisbane it had become very hot. Wandered out of South Bank station, where we were stopped in our tracks by the stultifying stupidity of this sign:

Although on later reflection we realised the sign is probably there for the benefit of commuters passing on the road to the right.

On further reflection on the above realisation, we again noticed that even if the sign is for motorists, there's still the issue of how the blind people know where to cross.

It hurts my brain to think about it.

We ate at a small cafe near the Energex Arbour. The Energex Arbour is a massive winding footpath covered in with a hideous metal framework with weeds growing all over it. Eventually, I postulate, it will form an impenetrable forest of thorned and vicious plantlife, to be traversed only by warriors dressed in khaki and weilding machetes. As it stands, it's a poor attempt at even blocking out the sun.

We waited under the Suncorp Piazza for Yahtzee to show. We kind of realised that we knew nothing about his appearance apart from some really old online photos, which lead us to wonder whether the photos were even of him at all. Perhaps he just typed a random name into Google Image Search and used whatever photos popped up.

To cut a long story, uh, less long, we found him. And then we stood about. Awkwardly. For quite a while.

Then we ate. Again. Yahtzee ordered chips. We fed several of them to a hideously unattractive bird that was hovering about the table. Then her husband told us to stop. (Do you see what I did there?)

Brisbane is a complete arse of a city when it comes to things to do. Basically, once you cross the border from New South Wales into Queensland, the passtime of "do things" mutates into the passtime of "do not a jot". People in Queensland spend 99% of their available time doing nothing, and the remaining percent considering the option of doing nothing.  Having come to no conclusions whatsoever about what to do to pass the afternoon, we headed vaguely towards the city. I proposed this idea, as I recalled visiting the museum a few years earlier on the suggestion of a friend who informed me that there's a button on the wall that replicates the sound of a whale farting. The move was unanimous.

Brisbane Museum does not suffer from over organisation. There's no system to it whatsoever. One second you're staring at a dinosaur's femur, the next you're examining a tandem-bicycle-powered-fire-engine and wondering why these two exhibits share a room.

Alongside the fire truck stood an array of cardboard cutouts.

On the top level of the museum stood the beginnings of the "How To Make A Monster" display, which was to deal with animatronics and special effects. Sadly, it wasn't open yet. We asked a kind tourist to take a photograph or two for us. We didn't realise at the time that said tourist didn't speak a word of English. I was somewhat concerned when she started gibbering in some Asian language, and I hoped dearly that she did not think we were handing out complimentary cameras.

(I got my camera back, for the record.)

Moving away from the animatronics exhibit, we found....more animatronics. Around the corner was a stuffed leopard mounted atop a papier-mache rock. Unassuming, you may think, until you realise (under close scrutiny) that the cat has a half-eaten sausage roll jammed up its jacksy.

But wait, there's more! (Animatronics. Not anal pastry.)

The next room featured a warning sign in a large font, reading something to the effect of "PARENTS: THE NEXT EXHIBIT FEATURES A VERY REALISTIC LIZARD WHICH MAY FRIGHTEN CHILDREN". And behold:

The sign did not lie. The creature was terrifying. It shuddered to life with none of the realism you'd expect from a battery-powered toy, hissing with pneumatics and hydraulics. It looks so natural tucked up against the ductwork, too. Yet more disturbing, though, is the rest of the exhibit. Surrounding the giant lizard is a large papier-mache dinosaur corpse with several Tasmanian devils feeding on it. One of them tugs back and forth on a chunk of rubber intestine, while another appears to perform oral sex on the dead reptile.

The rest of the museum paled in comparison. Several rooms containing spiders in jars. Several rooms containing randomly scattered fibreglass animal replicas. If nothing else, thanks to the marine-themed room, a new anthem emerged:

Dugong man, Dugong man Does whatever a dugong can Which is basically nothing As dugongs are large and stupid

Additional kudos should be served to Brisbane Museum for featuring an entire wing dedicated to nothing but roadkill. I'm particularly enamoured by the realistic potato chips in the following photograph.

And that, in short, sums up the Brisbane Museum. Here's one last photo, just to give you the entire Brisbane experience in a nutshell.

Having wandered aimlessly through the entirety of the poorly organised Brisbane Museum, we headed next door, to the Brisbane Art Gallery. Their official website is here, and it's actually fairly informative.

After surrendering our bags to the cloakroom nazis, and receiving a lecture on proper camera usage within the gallery (i.e., don't), we moved on. The entranceway consists of a staircase leading down to a white boardwalk surrounding a pool of somewhat greenish water with several billion silver balls bobbing in it.

Now, this is an art gallery, so the purpose of everything within it is a matter of interpretation. HOWEVER. I think the idea here is that the balls are "powered" by the fact that people cannot resist manipulating and tossing them about, so they kind of swill in a vague spiralling motion about their pond. Closer examination revealed several points in said pond where the balls would form eddies, suggesting pumps beneath the surface were egging the spheres on. To be honest, I don't really care. It's art. And it looks expensive.

The next room comprised a white passageway with a large square pillar amid, projected onto which was a large anatomical animation of a woman being dissected by a CT scan. We stared at it, giggled at her breasts and moved on.

Around the corner we were ambushed by a museum staff person armed with an array of battery operated cats.

I had hopes that the cats were going to be of similar quality to the AIBO dogs from Sony that I'd seen a few years prior at Fox Studios in Sydney, but they appeared to be standard children's toys purchased at K-Mart. We attempted to get two cats to mate.

Unfortunately, the cats "switch off" whenever their noses touch something, so their courtship was short-lived. I discovered that repeatedly stabbing at the button on the tip of the cats' noses causes them to meow in an increasingly angry fashion.

Behind the "Battery Cattery" (Jesus Christ) we found a series of fairly inane exhibits featuring telephones, which provided audio cues to the artwork. One of these exhibits, which appeared to be a piece of pipe plucked out of an air conditioner, featured a soundbyte of someone burping loudly. Genius.

In further extension of the household pets theme, we found a small cinema behind a wall at the back of the building. Six screens at odd angles had onto them projected footage that appeared to alternate between a camera strapped to a dog's head, and a car hurtling down a road in the snow. Once again, it's art. It's not supposed to make sense. Unless you're on drugs, or something. (Hey, it's Queensland!)

The rest of the gallery was fairly lacklustre. I'd like to know how one goes about getting the job of being one of the people who wanders about the museum shouting "DON'T TOUCH THAT" whenever someone gets closer than fifteen metres to a sculpture. The item in question was a massive chunk of welded metal that appeared to consist of former typewriter parts. It's welded. The best one could hope to do is to push it off its pedestal and perhaps break the floor.

Along one of the walls, in an innocuous looking darkened doorway, we found a small cinema, onto the wall of which was projected a film. At first, we had no clue what it was, apart from a small placard outside which read "One Minute Sculptures". I really have neither the want nor the need to further describe this phenomenon, as anything I add will only pale in comparison to Yahtzee's essay on the subject. Needless to say, our lives were enriched a millionfold, and will never be the same again.

DAY TWO (Tuesday. Where did Monday go? No-one knows!)

I spent most of the morning in Surfers Paradise. There are a lot of reasons I dislike Surfers Paradise. One of them is grammatical. Y'see, it's missing a possessive apostrophe. It's something to do with naming conventions, in that suburb titles should not contain punctuation marks. Stupid naming conventions.

So. Surfer(')s Paradise. 9AM. Nothing is open. I guess the surfy culture doesn't wake up prior to midday.

Got back from the Gold Coast around lunch time. Went to collect Positronbob, with the plan being to go Christmas shopping at the Logan Hyperdome.

This evening we went bowling. Dan won the first round, I won the second. I can't remember who wound up with the scorecards, so you'll have to take my word for it. Truth be told, no one cares anyway. It's bowling. It's such an impractical sport to get good at. The only times I've ever bowled, the entire purpose of the game has been to see who can make the largest fool of themselves, and/or break a limb. DAY THREE (Wednesday.)

We basically started today with no clue whatsoever what we were doing. This is not at all unusual. I drove around most of the morning trying to figure out where Positronbob was, due to missing one pissy little side street and thusly becoming lost. This happens. Often.

I found him, eventually. Arranged to meet with Yahtzee in the city. Decided, in a rare moment of braveness, to actually drive into the city. The guy I was staying with suggested a spot for parking, and having glanced at a map I figured it was a fairly simple place to get to. So off we went. Found ample parking. Everything going well. This usually doesn't happen.

Met Yahtzee in the same location again, figuring that it worked quite well the previous time. Minced about looking confused and sounding unconversational. This is becoming a routine.

While snacking at one of the small cafes along the Energex Arbour, we also happened upon a freak occurance -- Santa Claus on his lunch break -- snacking merrily on a parcel of hot chips. It's nice to know it's Queensland fried foods that keep Jolly ol' St. Nick's arteries so joyously blocked.

And here's a brief summary of the rest of the evening, due to the fact that this all occured a month ago and I don't recall specifics:

Fireworks. Sat on grass. Watched someone in Brisbane desperately try to signal for Batman, but fail due to forgetting to put the bat-shaped mask over the spotlight. Nonetheless giving it a valiant effort with not one, but four spotlights waving about the sky. Presumably under the assumption that Batman, not seeing his signature bat-shaped-silhouette, may respond to a very adamant display of non-bat silhouettes. BATMAN. God damn you.

Wandered back to the car park under the impression that it closed about two hours prior, not overjoyed by the prospect of leaving my car buried beneath Brisbane until 6AM the following morning. Arrived at the vehicle to see this was indeed not so. Relieved.

Bid farewell to Yahtzee in a now predictably awkward fashion.

Returned to car again. Somehow managed to get out of extremely crowded car park without causing any personal harm or property damage. Took everyone home. Ran a red light. Scared the shit out of someone called Spock. All's well that ends well.

The Gargantuan Gimmick of Glerty McGlee

The Gargantuan Gimmick Of Glerty McGlee the gargantuan gimmick of glerty mcglee was the most gregarious gimmick you’re likely to see it featured a graceful and garrolous trot akin to a gander atop something hot

for no one could garner the gardener’s gauge or to stand near the gambler’s gelatinous stage the fire in the gantry and gables and gear was to a lonely traveller’s gangrenous ear

like a gallow dry squeaking and gale blowing near to the hollows of gordon, who glerty would fear like a grinding and garbling grand fascination with loosing the geese from a lone trepidation

glowing like nonsense and frosting the glazing the fire grew ardent while quietly raising the brow of the guard stood outside of the cordon of forest defining the hollows of gordon

named for the grumpy and godfearing son of a man who fell grey from the din of the gun which was fired not in anger but only to mimic the incoming outcome of glerty’s own gimmick

a gimmick so bold and in golden raised lettering printed in blood and a generous smattering of apology rife with the grim innuendo inherent to something implying the end of

a story so guarded and gilded with tripe told by guards and by gamblers and into the night resolving to garner the ears of the masses to tattle to fellows and titter to lasses

to speak unto god and to blame him our future is to open a wound and to bury the suture the tale told before this and many times after is ought to provoke some to tears, to provoke some to laughter

take from this a lesson in garbled fine prose disguised as the thorns from a withering rose the gibberish mentioned to be interpreted free as was stated the will of young glerty mcglee

Beautifully designed creatures.

Humans. Not much thought went into our design. (In fact, no thought went into our design. We were not designed. We evolved from earlier life forms through natural selection. But I'm sure you knew that.) I wrote this update in my head at about 3AM this morning, and in due process of sleeping, I've forgotten pretty much all of the funny bits. So I shall attempt to salvage something of it. Humans. Pathetic creatures. Allow me to explore this.

Teeth. Teeth are designed with chewing in mind. They're designed to crush, kill, destroy things so as they might easily be contended with by the remainder of the digestive tract. Teeth are unaccustomed to the company of sugar, which makes their steely exterior whither and squeal, before disappearing like a young bride's petticoat on her wedding night. Which is probably purely accidental. The sugar aversion, not the disappearing undergarments. I mean, how could the alleged "Creator Of Everything" ever have figured that EVERY FUCKING SINGLE THING WE EAT CONTAINS SOME FORM OF SUGAR?

And furthermore, just to add COSMIC INSULT to injury, our teeth are the only parts of our frail bodies that have no capacity for self-repair whatsoever (citation needed). Get a cavity in one of your teeth and all it can do is become a larger, more ferocious cavity. Until it cavitates your entire head, and you become a walking ugly wound. With bits of broccoli in.

So yes. Poorly designed, these munchers are. Particularly as, evolutionarily, they - as in all animals - are built with the forethought that the beings who's heads they're wedged in will eventually develop dentistry, lest they struggle through their meagre existances IN ETERNAL AGONY because they ate one too many licorice straps when they were eleven.

Bollocks on the outside. I mean, COME ON.

Fingernails, toenails. Oh, the vicious legacy our nails share. Once they were to glisten on sharpened edge as they served as violent talons of destruction on the very fingertips of a primordial human ancestor as he stabbed and clawed his way through the flesh of a mammoth. Or a dormouse. Or whatever took his prehistoric fancy.

Now, they're little more than an irritation. Puny, pathetic things we must keep trim lest we be accused of being girly. Weak, pathetic shards of crap designed to split, shred and fall away when not constantly moisturised and kept in pristine condition. Also numbering among the single most succeptible body parts for aiding paper cuts and other minor but exceedingly painful injuries.

I mean, hangnails? The "Creator of Everything" clearly skipped breakfast before focusing his attention to the hands of the human being. Tsk, tsk.

Bollocks. On the OUTSIDE. I'm just gonna milk this one for all it's worth.

Lack of body hair. Truly the weakest species on the great planet of Earth would have to be the only one thereon that must MANUFACTURE its own protection from the elements.

I'm not saying I'd like to see human beings develop an uncontrollable rash of fur -- my taste in women shrieks that should that be the case, stocks in Gilette will suddenly skyrocket -- but surely it was more than a caveman slipping the skin of a murdered yak over himself that triggered every follicle on the human form to flop off into the tundra.

Still, it broaches another subject I daren't start unnannounced:

Pubic hair. ..why do we even have the stuff? It's awkward, it promotes odours (yay, now I can be fed even more inappropriate advertisements!), it gets caught in things (..er..like zippers. And undergarments. And oo-er what were YOU thinking?) and it's just generally icky. I shall digress speedily before I start chanting playground rhymes and giggling.

Nose hair. For some reason, when every other strand of fur decided to make a mass exodus to some place less maloderous, General Nostril Follicle and his band of swarthy followers stood their ground and remained fast at their posts. To this day, they remain in hiding, only to appear and silently ambush their intended victims on or around his 60th birthday, at which point human physiology suddenly decides to kick in a few extra hormones and present its owner with a pristine bush of bristling nose blossoms. "What," wonders the human, "is to become of me that only great clods of nose hair can save me from?"

And now a few courteous replies, specifically to the likes of Dan, Rev, and Nicki:

Bollocks on the outside. IN A SMALL SACHEL.

Ear hair. Along with odd nasal foliage around the age of senility, the human body also decides to kick a few hormones into the aural cavities and covers the innards of the ear with a pelty layer of totally superfluous fur. Nothing can explain the need for this, although it's possibly conducive to loss of hearing in the elderly. They're not deaf, their ears are full of hair.

Eyebrows. Eyebrows are useful. They do actually keep things like sweat from draining straight down the slope of our elegant non-neanderthalish foreheads and into our eyesockets. However, as Rev points out, there really is no need for eyebrows with dimensions bordering on elderly ear-hair sizes. I mean, Eugene Levy is not normal, man.

Menstruation. Surely there could have been easier ways to dispose of the unused lining of the uterus. Just think, if The Creator Of Everything had invented the zip-lock bag before he whipped up the uterus, maybe it could have just plopped out at an appropriate moment pre-sealed inside a small plastic pouch.

Thanks to all and sundry who have contributed to this little article, such as it is. Thank you to the reader, also, for perusing it as a piece of comedy and not a serious document on the plausibility of the existence of a creator. Just sayin'.

Shopping advice

This is for the benefit of anyone who's ever used a supermarket. Friendly advice, even, inspired by the behaviour of an entire extended family operating in some kind of evil alliance at checkout number six this evening. WHEN YOU REACH THE CHECKOUT, STOP SHOPPING.

The usual strategy when shopping for groceries is to enter the store, obtain either a trolley (cart) or a basket, put stuff you want in it, then proceed to a checkout and pay for it.

The family I encountered this evening had a different tack. FAMILY MEMBER ONE, who I shall call MRS. SHOPPERNAZI proceeded immediately to checkout six with her innocuous two items of purchase, trailed haphazardly behind by her small herd of children, brothers, sisters, grandparents and other bewildered brainwashees. I step into line. Gosh! thought I! A short queue! I can leave the supermarket in blistering time!

Nein.

Mrs. Shoppernazi then proceeds to COMPLETELY OCCUPY the checkout, while her HORDES OF MINIONS are scurried about the place collecting foodstuffs she requests and depositing them on the conveyor. All the while I'm stood back a good six paces behind the checkout to allow room for the fucking armies to mass in and out of the space between the checkout and the barrier thing that's designed to provide room for only one person-width to leave the store through that thoroughfare.

Which leaves me in the awkward position of NOT LOOKING LIKE I'M ACTUALLY IN LINE. So while Mrs. Shoppernazi is waging war on the supermarket with her evil squadron of MiniShoppernazis, I'm fending off a border assault from assorted scalliwags who've concluded that since I'm stood back a distance from the checkout, I'm not really waiting to be served.

AND, the great wonderous being that Mrs. Shoppernazi gloriously presumes to be somehow manages to only purchase items that have no shelf price, which forms a third onslaught of troops on the checkout as various store officials pander back and forth relaying prices for the absurd shit this woman apparently cannot live without.

If her teller card hadn't worked, I'd have killed her.

League of Extraordinary Guff

I wanted to like this movie. Seriously. However, the following things prevented me from doing so. Stupid-looking explosion.

Kenya. Connery and British Dude stand around while, quite obviously, the director yells "bang" in place of a craptacular special effect. Connery and British Dude pivot around unremarkably to see the building behind them burst ineffectually into RED FLAMES that look like they were tooled on with Paint Shop Pro. BRILLIANT START TO THE FILM.

Hyde.

Having watched the DVD special features and what-have-you, I'm willing to marvel at the technological wizardry involved in creating the Hyde suit. However, as great as it is, it still looks like Mr. Flemyng is wearing half a Silly Sumo suit.

The car.

I'll grant you, for entertainment purposes, for the sake of suspension-of-belief, that an internal combustion engine could have been invented in 1899. Also, I'll even go as far as to say it's not totally ridiculous that it could have been put into a four wheeled vehicle. Sure. Why not.

However, having spent a moment contemplating the Nemomobile, one cannot help but realise that on top of the internal combustion engine -- a supercharged V-8 engine, no less -- Nemo and his cronies also somehow managed to invent (and apparently perfect) the building of a chassis, suspension systems, steering -- four wheel, no less, more on this shortly -- a gearing system, air-filled rubber tyres, an ignition system presumably utilising a startermotor and alternator which then powers the lights (which if I recall correctly wasn't invented til near half-way through the next century, as almost all early cars had crank-starts) AND obviously, as Sawyer crashed the thing and survived, some kind of safety systems such as crumple zones and presumably some kind of laminated glass in the windows. Which, apparently, were rigged with winding mechanisms just like 20th century cars.

ALSO, as the producers pointed out in the special features, it'd be completely and utterly impossible to make a four-wheel-steer car complete a 180-degree turn, or, indeed, negotiate the narrow streets and cornering of Venice. ON COBBLED STREETS.

AND FURTHERMORE, Mr. Sawyer executes this maneuvre after approximately four seconds of experience driving the vehicle. Which doesn't sound so bad now, but hey. He wouldn't have even known the thing on the floor is what makes it go faster.

GPS tracking from a submarine!

And what's more, Nemo's ridiculous submarine can apparently track the position of the car in question! With what? GPS? Radar? Yay!

Sean Connery's Titanium Feet.

Connery leaps from the car, moving at about..oh..a hundred miles an hour, onto cobblestones, flat-footed, and walks away. Okay, then.

3D Dominos!

Venice is collapsing, so Nemo -- wisest of the wise -- suggests destroying an upcoming link, a building, in the chain of collapsing buildings to save the city. Which would work wonderfully IF THE CITY WAS ONE STRAIGHT LINE OF BUILDINGS. But it's not, obviously. In order for this to work, one would need to destroy an entire RING of buildings around the epicentre of the collapse. Yes.

Really Obvious Bombs.

Wouldn't some overzealous little crewmember aboard the Nautilus have perhaps spotted a dozen SUITCASE-SIZED bombs with AUDIBLY TICKING TIMERS on them? Particularly when they're just "hidden" along walls and behind occasional pipes?

Oh, dear.

Hardcore.

Core, blimey. The Core is the exact polar opposite of Reign Of Fire. Reign Of Fire was a brilliant concept which was turned into a steaming bucket of snot by astoundingly bad filmmaking. The Core is a mind-numbingly stupid concept incredibly well produced, directed, written and acted.

The story, such as it is, is this:

The Earth's core has stopped rotating. This is bad. Due to the no-longer-rotating core, pigeons cannot fly straight (also bad, apparently, particularly when one of them is actually a trout), Rome collapses (bad too, apparently), the Golden Gate Bridge bursts into flames (bad) and, if left untended, the world will end in about three months.

So, Dr. "I'm Not Seann William Scott, Honest" (update, 2013: Dr. "I'm Not Seann William Scott, Honest" is now more properly known as Dr. Harvey Dent) teams up with Hilary "I'm Not A Man, Honest" Swank, Delroy Lindo, Stanley Tucci and GENERIC FRENCH ACTOR to ride a giant dildo into the heart of infernum. I swear to Christ I'm not making this up.

Oh, and it uses magic lasers that can cut through rock. Except, inexplicably, on the way back up again, when the lasers cease to work and the awkwardly shaped submarine miraculously pops up out of a volcano to the dulcet tones of "WHY  DIDN'T YOU JUST GO DOWN A VOLCANO IN THE FIRST PLACE".

Anyhow.

This movie really shouldn't exist. I love it, largely because it takes the genre of ludicrous disaster movies and turns it on its ear, giving us a thoroughly enjoyable disaster movie that isn't based on an environmental awareness platitude or a thinly veiled opinion vis-à-vis climate change. Absolutely no reason is given for the Earth's core having stopped rotating, it has simply happened. The entire film is based upon the adventures of the crew of the phallic torpedo and their changing goals as the mission becomes more and more perilous.

I adore how the story takes itself utterly seriously, but the production doesn't. This is evident in the naming of the mineral from which Virgil (the submarine) is constructed: unobtainium. A whole six years before James Cameron's Avatar, The Core used this Hollywood placeholder name for an impossible substance in the right way.

The Core. It's awesome. And I need to upgrade my DVD version to Blu-ray, post haste.

Finding true love --

-- with the by-line, "Give Up Now". Last night, I was thinking about the popular ideal (or once popular idea, it seems to have gone the way of the dodo of late) that each person has but one true love, and the amazing probability mechanics inherant thereto.

The most basic equasion is thus: The world has a population of 6.3 billion people. Therefore, you've got a: one in 6.3 billion

..chance of meeting your true love.

This figure assumes the most arrogant assumption possible: That your true love exists. Y'know, we could really screw with the arithmetic and include the possibility of life on other planets, or interspecies love. I hear some people go for that kind of thing.

Might as well give up now, eh? Nah, let's be optimistic. Let's throw a few probability curveballs:

Gender.

For the sake of argument, we'll assume you're looking for someone of the opposite gender. Heck, considering roughly half the population is of either gender, we can safely say that you can pursue people of your own gender and have the same odds. If you're bisexual, you can skip the rest of today's lesson and quit looking entirely.

Our odds are now: one in 3.15 billion

Obviously, this figure omits hermaphrodites and people born with ambiguous genitalia. Sting, for example. It also doesn't take into account the celibate, the sexually inert, the post-menopausal, etc.

Age.

We'll assume you're looking for someone within your own age group, or within an age group you see preferrable. In the roughest maths ever, lets divide the population by eight to come up with eight 10-year age blocks, thus:

Our odds are now: one in 394 million

This barbarically assumes everyone lives precisely 80 years, and drops off the twig on their 81st birthday. It also assumes no one dies prior to that. It also assumes you're not a pedophile, in which case you're probably not looking for your true love anyway, which makes the argument moot. And disgusting.

Location, and chances of meeting.

Say you meet 20 new people every day. I'll define "meet" as "make eye contact with, and be able to recognise at a later time". This could be walking down the street, in a supermarket, etc. Leaving aside the issue of forgetting who you've met, and forgetting about the existance or non-existance of love at first sight, we're left with the following mess of mathematics:

20 people per day, for

365 days, for

80 years, or

584,000 people.

Divided into our previous total, gives us a necessary:

674 LIFETIMES required to lay our eyes on all of the potential candidates.

Obviously, as touched on in the next paragraph, you're not likely to meet your true love if she lives in Siberia and you're in Sydney. Additionally, there's the NASA-equivalent math involved in calculating your chances of meeting if they too are looking for you at the same time, and the possibility that they're not looking at all. Maybe they're a hermit.

Which brings me to another issue: What are you doing right now? Go ahead, triple the figure we just came up with. Sitting at a computer will not find you love. Despite what the banner ads tell you.

Furthermore, this equasion doesn't take into account the fact you'd need to cross continents and literally visit every corner of the planet (all the while still accomplishing your 'glimpse 20 people every day' goal) in order to even stand a chance. This is mostly because all of this is statistical crap and I couldn't be buggered researching the populations for all of the continents and applying the required math. It's too late at night.

The whole thing gets even more complicated once you take into account that in order for the whole ordeal to be worthwhile, not only do you need to find your one true love, but they need to find theirs -- in you. At which point the odds go from infinitesimal to astronomically infinitesimal, and you should concede that you've got no hope and go home and wank or something.

Anyhow, happy loving.

Christmas. Impending.

I hate Christmas. That in itself isn't so strange. What really makes me think is that I've always hated Christmas. Even when I was a kid. I'm tremendously annoyed by the overt commercialism of the whole thing. I want to know at which point someone decided "THE ALLEGED BIRTH OF THE SON OF GOD MEANS WE SHOULD ALL BUY EACH OTHER EXPENSIVE THINGS AND LINE THE POCKETS OF THE LEADERS OF THIS COMMERCIALIST EMPIRE WE CALL THE FINANCIAL WORLD". Somehow, I doubt it's what the Virgin Mary had in mind while the Almighty was fiddling with her loins. "Hey," she thought. "I could make money out of this."

It also irks me immensely that very few Christmas "traditions" have any basis in, well, anything. Like the Christmas Tree. As far as I can research, the entire reason we even have Christmas trees is because - get this - Christmas occurs in winter. Although there's a kind of pleasant detachment to this; at least one key part of what we now consider Christmas isn't in any real way connected with the religious significance of the event.

I guess this kind of divides the Christmas crowds. On one (fairly small, I'd wager) side, you have the religious Christmas folk, believing in angels and the son of God and mangers and hippies in Jerusalem. On the other side, you've got the commercialist Christmas people, believing in dollar signs, plastic trees and K-Mart dockets. This division's kind of relieving, but it still doesn't give any apology or reason for the centuries we've utterly retarded the original "spirit of Christmas".

Being from the southern hemisphere myself, I have to say that the "Christmas trees are because it's winter" ideal doesn't hold a lot of water. Our Christmas is usually around 109°F, humid, and spent sitting as close as possible to an air conditioning unit in a crass attempt at at least spending Christmas a degree or so below body temperature. Somehow, having a lump of slowly melting plastic disguised as a tree, coated with white shit out of a can disguised as snow and draped in ten-year-old balding tinsel is a fairly poor impersonation of winter. But hey, who am I to disagree with "tradition".

I don't believe in a whole lot about Christianity. Or any religion, for that matter. The limit of my involvement with religion is "It helps people get through their lives, then good for them". Which I think is fair enough, and you're welcome to it. However, I'm constantly stuck with this slightly comedic vision of Jesus returning - as he's so eloquently promised - only to be handed a red and white candied cane and a gift-wrapped toy with a large "MACY'S" tag on, and a crowd of gaping Christians waiting for him to be impressed.

Close the Gate: Enemy at the Gates review

I have three quibbles with this film. 1. One day Hollywood will realise that a war movie is interesting in its own right, and doesn't need to be combined with a sappy love story to appeal to audiences.

2. The music sounds like it's been stolen directly from the score from Schindler's List.

3. The lanuguage issue. This is often a problem with war movies, but Enemy At The Gates is the worst example I've seen. In the case of a war movie, you invariably have people speaking different languages. In order to combat (heh) this, there are a few techniques used in filmmaking. The first is to simply have each person speaking the language naturally. This is fine, so long as the viewer can understand Russian, German, French and English to a great degree. The next option is to add subtitles, which most people agree detracts from the film, because most of your time is spent reading and little time spent watching. The remaining obvious option, and the one usually preferred by most modern war films is to have all of the characters speaking English with heavily applied accents from their countries of origin. Enemy At The Gates, however, has taken a completely annoying and haphazard approach. To wit, we have -- just in the Russian characters alone -- Russians speaking with British, Russian and German accents. The German characters speak with a mix of German and British accents. The only way to tell which country the characters are fighting for is to recognise their uniforms, which is great if you're a war buff, but a bit difficult for your average Joe. Particularly considering all of the uniforms in the film are grey-green and all of the characters are coated in mud, blood and bits of their comrades.

Sigh.

DVD special features

These things irritate me. Why? Because they're all the same. They were fun to begin with. "Oooh! It shows how they made the boat sink!", "Oooh! An interview with the director!". But that's exactly what you get on every single DVD. I just watched The Emperor's New Groove. The movie's great. Possibly Disney's best. But the special features on the bonus DVD...stink. Sure, I'd love to see how they made the movie, and look at a bunch of preproduction designs and whatnot. It's fascinating stuff. But I don't want to see it narrated by two fecal goitres dressed in costumes rejected by The Wiggles claiming by means of subtitled nametags to be producers or directors or somesuch of the film itself. Sweet Jesus, these guys look like they'd have a hard time negotiating traffic on a one-way backstreet.

What further annoys me, particularly with the more average DVD (i.e. the ones without a bonus disc or whatever), is that the special features usually amount to being nothing more than clips from the movie interspersed with random interview dialog with the actors, telling you things you already knew. Example? Mel Gibson's Payback. Right. You've just watched the film. Unless your eyeballs are in backwards, you know fairly well by the end of it that Mr. Gibson's character is a bit of a moral enigma. He makes his own rules, and generally obeys them. He has a goal and intends to pursue it. So what do you get on the "special" features? Random out-of-time clips of Mel leaping about like a gibbon on speed with the voice-over from the interview, "My character makes his own rules, and generally obeys them. He has a goal and intends to pursue it..", et al. Give me a break.

And who ever watches the theatrical trailers? HM. THERE'S THE ENTIRE MOVIE SITTING THERE. I COULD WATCH THAT, OR I COULD WATCH THE TRAILER INSTEAD. HMMMM.

Conclusion? "Special" features are for "special" people.