Colonpipe: Evolution

In case you've ever wondered, here's the history of colonpipe.com, in convenient image format. This should answer a bunch of questions you didn't know you wanted to ask, including: - Has Russ ever had good design abilities? (Hint: no) - Has the website ever contained good, quality content? (Hint: no) - How many php-based randomising scripts can one actually use to create the illusion of a dynamic, interesting website? (Hint: all of them)

Many of the images below are from archive.org's Wayback Machine, which seems intent on preserving every embarrassing thing the internet has ever done.

Hit the jump to explore the history of a website that probably shouldn't be recorded --

Dark Spark: 2001.

website_april01

I'm afraid this is all that's left of my original website, from circa 2000-ish. I recall it had some kind of funky background behind it, and a banner/side menu combination that somehow fit together. It looks like archive.org didn't care to archive those images or files.

I believe the quote from Mark Twain, top right, obscured by white text on white thanks to the absent background images, was "Better to remain silent and be thought a fool than to open one's mouth and remove all doubt".

Back then, my website was called "Datazoid's Reality", and was hosted on webspace provided by my dial-up internet provider. This was a big deal in 2000, though.

For some reason, I felt that my website needed an all-genre-encompassing science fiction introductory passage, it appears.

Design wise, I have noticed: - I haven't yet learned the value of CSS, particularly for taking the damned underlines away from links once in a while. - I've actually used "valign="middle"" on the little red triangle bullets to center them. Not bad. - I remember making the little "Made with Macintosh" .gif, and thinking that it looked cool all desaturated like that. - The little gold balls that bullet-point the articles are actually rendered images, I made them in some dodgy 3D program. This was a big deal in 2000.

Other things: - I had a Global Freeway e-mail address. Global Freeway was a "free" internet provider that served you with a little application that would pop banner ads up on your screen. They never claimed to provide service for Macintosh computers, but I was pretty delighted to get my installation CD in the mail and discover that just inputting the login details was enough to give a Mac user internet access. Really bad, unreliable internet access, at that. But internet access. And without the ads, to boot. - "See y'all around"? When did I move to Texas? - I believe Josh sent me the scan of the ant farm keyring. - Guestbooks. I remember those. Good lord. The dark ages. - The block of grey crap that looks like an un-loaded image in the top left corner is actually a bunch of letters that spell out "D A T A Z O I D" and would dangle beneath your mouse pointer, in a way that couldn't possibly annoy anyone, ever. Thanks to the cleansing power of the modern internet, they now do nothing. (Either that, or archive.org doesn't archive extremely questionable Javascripts.)

What The Hell Is This: 2002.

website_2001

This one didn't last long. Unfortunately, the colour scheme must have stuck in my head, because it'll come back to bite me later on in this article.

Same website as above, ultimately, but with a spectacularly bland colour scheme and very little graphic elements. Maybe it was ahead of its time. (Maybe it wasn't.)

Dot Com Boom: 2003.

datazoid_splash_feb11

In 2003, I splurged on a domain name (or two). At this particular time, I was using data-zoid.com, after I was thwarted from "datazoid.com" by a legitimate business in California.

All good websites in the early noughties required a splash screen -- something we wouldn't dare think about anymore. This particular one, which I believe has had its html slightly cocked up as the giant "Z" should fill the white (blue?) space to the right of the various logos, resulting in a much shorter window, graced the entrance to the dot com.

The departments on the left were largely other people to whom I farmed out some webspace, in this case it was Mike, Chris, Derek and the old Rafters forum. Clicking the giant "Z" logo brought you to...

feb11_2002

..the website proper. I believe that I either had a very badly calibrated monitor, or zero understanding of contrast. Possibly both. Some of the images have disappeared from this, resulting in the little end caps from the menu titles turning into white boxes. Oops.

Turquoise and gold was probably not the wisest of all colour choices.

Not sure why I included the standard HTML-include date and time at the top. Looks kinda cool, though, I suppose. Also, pageview counter. Who uses those anymore? Who cares about those anymore?

datazoid2003

At some point in 2003, I changed the colours. In hindsight, it was for the best. In hindsight, it's still horrible, with a capital "HORR".

What we're looking at here, is the result of a man who just purchased Photoshop. The gradients, bevel-and-embosses, drop shadows and strokes on the title banner alone should be enough to make me take this image, snap it into quarters and flush it. Repeatedly.

Regardless, it's history, and I can't erase it from archive.org. It's essentially the same design as above, having gained a left column of information, no splash screen because the sub-site buttons are now below the banner, and a colour scheme that I cannot recall the inspiration for but suspect perhaps it started with "Tel" and ended in "stra".

It kind of grows on you.

The Prior Art-O-Matic still exists, by the by.

Now We're Getting Somewhere: 2003.

dec2003

Finally, towards the end of 2003, I made something work. Contrast adjusted! Colours palatable! Overly complex use of tables to create a html layout, achieved!

This is probably my favourite "look" for colonpipe.com. At some point, I changed the link colours from green to blue, but all in all, it's workable. I've actually re-used the little graphics for "post" and "comment" from this layout (albeit enlarged to 200%).

The colonpipe graphic in the logo was designed by fraxyl, and has been used pretty extensively since this design.

This appears to be the point in time when I began my obsession with 88x31 web buttons, thus explaining the army of them in the right-hand column.

This was also when I began experimenting with using a php-based random generator. The quote in the top bar was generated from a file of some 1,800 short quotes I'd collected from specific people on internet forums. Primarily Chris. The one displayed here is most definitely one of his.

"The Random News" used a half-dozen randomisers to generate parts of each paragraph, creating a similarly-constructed but esoterically madlibbed news article each time the page was refreshed.

Also, 99% of my updates back then related to searchstrings and the site's statistics. I was either destined to bore the sweet bejeezus out of every single one of my visitors, or I'd accidentally stumbled upon creating the most meta website in existence.

It's Got Nothing To Do With Your Bumhole: 2010.

colonpipe_2011

Prior to this design, there was another Wordpress-based appearance. Unfortunately, I've lost all record of it. It was white, and that's about where my memory of it chooses to erase itself. I can only imagine it was horrible, and the less we speak about it, the better. Even archive.org didn't care to record much about it, and doesn't have the CSS sheet saved. Oh, well.

This is the first colonpipe design since I actually started to take some pride in my work as a designer, and I believe it shows. The title graphic (still in use today, in some capacity) was properly rendered, and I put considerable effort into making the typography both appropriate and pretty sexy-looking. (Well, sexy for Arial Rounded, anyway. You can only expect so much.)

Content-wise, I'd boiled the entire site down to be a "best of" compilation of what had come before. This is about the point at which I realised that what had come before was largely filler, and that there was very little of colonpipe.com of which I was actually proud, and a stonkingly massive amount of it of which I was both embarrassed and terrified, to the point that I found myself retreating to a corner with the longest broom I could find, poking ineffectually at it when it drew near.

The Red Curtains: 2012.

redcurtains

Not a new design in itself, this one was just a swap-out of the background graphic. I decided -- for some reason -- to replace the stars and galaxy with a red curtain. Perhaps it lent an austere air of comedy club, suggesting wit of the calibre of Jerry Seinfeld or Larry the Cable Guy. Or perhaps it didn't. Either way, it was not to last long.

Pixelpipe: 2013.

current

There's every probablity that you're looking at this design right now. However, if it's in the future, maybe you're not. Or maybe you are. Or...who knows. At any rate, this is the design of the site at time of writing. You can see the graphics for "post" and "comments" borrowed from the earlier design. You can see the bars of social media share buttons that I loathe, but tolerate for their expected necessity. You can also see a tagline that I'm actually pretty happy with. (At least it doesn't use the word "bumhole", which has to make it better, right?)

Thanks for sticking around.

Just a quicky, but don't steal it --

Here's a little fact I wasn't aware of, brought to you by the always educational Doctor Karl: The music on that annoying "You wouldn't steal a car.." bumper on the beginning of almost every DVD in the early '00s is...wait for it...pirated music. Dr. Kruszelnicki has provided much more information than I ever could, so I point you to the above link and leave you in peace. Should you not remember the horrid advert, here's a youtube link to refresh your memory.

Map of the history of Sydney's railways

This is a project that I started -- and kind of abandoned -- several years ago. The story is this: Once, during a trip to Melbourne, I picked up a cool poster showing the entire railway network of the city, complete with all of the stations and lines that had closed down over the years. I quite liked it. I decided to make one for Sydney. I stupidly underestimated the magnitude of this task.

So, I edited it, on-again-off-again, until I ended up with the final version, which I display here. Is it 100% accurate? Probably not. Is it educational? Undoubtedly. Should you always do further research when presented with information on the internet? Of course you should.

Thanks to all the folks at railpage.com.au's forums who helped all those years ago, without your assistance, I would never have had the impetus to continue with this thing. Thanks also to nswrail.net for being such a ludicrously awesome resource for New South Wales railway history, and a fantastic tool for clarifying a lot of the details that went into this map.

If you find any glaring errors, by all means, let me know. I probably won't make any changes, though, because this project has very much been and gone, and it's a huge undertaking to edit it.

Click here for the full, high-res (but heavily compressed) version if you want to read the text. (Warning: is gigantic, won't work in full-resolution on an iPad or iPhone without special software.)

'tis but a preview image. Click for big. (Really big.)

'tis but a preview image. Click for big. (Really big.)

Live, from the Noel Crichton Browne room...

Who's been dancing, lewdy-style, on the tiny stage, before the dimming footlights of your mind, this week, pal? Who'd have thought there'd be more fake action figures? This time, it's Roy & H.G, from "Club Buggery", "The Bughouse", "The Dream", "This Sporting Life", and a crudload of other things.

Based on the same Star Trek: DS9 action figures as last time. Click on the image below to embiggen, if that's the kind of thing you want to do.

Judging books by their covers, 2

Continuing the previous post's somewhat trendy trend:

Details: "Fire and Ice: Outrider", by Richard Harding -- currently selling new for a thrify $118.76 on the 'zon, even.

What is there to work with: Fonzie, portrayed by the bastard son of Peter Weller and Nicholas Cage, stands around in a field of polyethylene tanks leaking sunset into the sky. He has a large knife, a spare large knife, a small knife, and no knees.

Therefore the plot must be: Unable to sell functioning water tanks to farmers, Fonzie must resort to knife sales. Brandishing his entire stock of three, he shows up on the doorsteps of unsuspecting citizens to stand boredly askance, hoping someone will show enough interest in his knives that he can break out the extra special gift -- a free set of steak knifes.

Hit the jump for more, believe it or not, it gets better.

PhylumMonsters
PhylumMonsters

Details: "Ben Bova presents Phylum Monsters" by Hayford Peirce. Oh, yes. It's spelled "Peirce". My spellchecker hates it, too. Phylum, by the by, is the taxonomic rank that resides between "class" and "kingdom" in the taxonomic heirarchy. Likelihood of this being in any way relevant to the plot -- slim to none.

What we have to work with: Narcoleptic alcoholic butler holding a kidney takes a tipple in a room with a backwards computer with no screen, a yellow machine from Starfleet that has an LED desk lamp attached and probably goes "ping", while a hovering volleyball projects a hologram of a snoozing Doctor Zaius into the air in front of a pennant of the DNA double helix. There are SO MANY science fiction concepts crammed into this image. There's no possible way this could end badly.

Therefore the plot must be: Unable to maintain a train of thought while writing the sequel to the prequel to the third sequel of Planet of the Apes, Jeeves takes a brief respite in the DNA room. Sipping his chardonnay and gripping an authentic replica of a human internal organ, he hopes that turning his screen to the ether and listening to the dulcet tones of the yellow machine box will clear his mind and allow him to figure out the final character arc of Doctor Zaius, last seen sleeping in an extremely yellow room with inexplicable giant hairs growing from his left shoulder. Will Jeeves complete the screenplay in time? Will the studios buy it? Will Zaius ever wake up? Did Hayford Peirce spell his name wrong on the first book he ever published, and has had to live with it ever since? Is Ben Bova glad no one's spelled his name wrong? I imagine so!

There're still more to come (alas). Stay tuned!

Judging books by their covers, 1

I need to quit spontaneously spending money on things I don't need. Case in point: I recently bought a bunch (and by "a bunch", I mean 300) old science fiction novels, second hand, in differing states of disrepair. Some of them are recognisable, most of them aren't. Most of them are actually components of series' of novels, never with their appropriate predecessors and successors, thus making them largely pointless to read. I'm impressed, though, by the cover art on some of the "pulpier" novels, so I'm going to feature (read: mock) it here. In fact, the artwork reminds me to plug Ben "Yahtzee" Croshaw's old Cowboy Comics, which are still hilarious. I've included Amazon links where I'm able to, in case you feel the need to support the authors and cover artists by buying their splendid work.

I'm going to present these in the following scenario:

  1. What's the book?
  2. What's on the cover?
  3. What conclusions can I draw about the plot based on the image on the cover?

The logical follow up point would be "and how accurate were those conclusions?", but quite frankly, the likelihood of having time (or willpower) to read these books is insignificantly low.

The books!

Details: "Nowhere Man" by Jerry Oster, 1989

What is there to work with: Either a ninja, or a man in a wetsuit. He's armed with a 9mm. He looks depressed. The novel is a humdinger.

Therefore the plot must be: A manic-depressive scuba-diving ninja floats on his back in a pool of red custard, contemplatedly scratching his cheek with his 9mm. Nothing happens, though, because he is Nowhere Man, a superhero so ineffectual that even non-sequitir situations fail to create drama.

 

Details: "Lord Tedric: Black Knight of the Iron Sphere" by Gordon Eklund, 1955

What is there to work with: Captain Beardy Leatherpants slapping a sword-wielding child, while a pink bikini-wearing Viking crossdresser approaches with a stick, hoping to offset Captain Beardy Leatherpants already questionable balance.

Therefore the plot must be: Looks like a family drama. Mother is a crossdresser. Son, genetically inheriting father's bad balance, tries to protect a stain he's made on the carpet, all the while hoping his dumbass transvestite mother doesn't just walk into dad's sword, as (s)he's clearly paying no attention to her inner GPS.

 

Details: "Warrior's Blood", by Richard S. McEnroe, 1955

What there is to work with: Luke Skywalker, now inexplicably portrayed by Scott Bakula, leans italic-style into the background to dodge a flying sun pellet. Mistress McFaintyFaint, dressed in yellow and wearing a convenient dream catcher to hold the ensemble together does her best to keep her left thigh from collapsing.

Conclusion: It's the story of an interstellar chiropractor, travelling from planet to planet curing ailments and encouraging people to engage in fitness routines. He also sells fetching white leotards and pale yellow dresses, neither of which are designed to fit particularly well. When not performing chiropracty, Doctor Skywalker flies around space in his shoe-shaped-ship, leaving behind gigantic exhaust plumes of orange debris, which dissipate into neon space signs that advertise his business. Back pain? FOLLOW THAT NEBULA.

There will be more. (Unfortunately.)